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portrait of a man (attrib. to Corneille de Lyon)
Louvre Museum. Generally accepted that it is Marot. He was in Lyon at the right time (prob. 1536-1537) and frequented the same people as Corneille.
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Clemens Marotius primus sui temporis poeta gallicus (René Boyvin)
etching, first known from a 1558 Antwerp edition (Hieronymus Cock) |
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Clemens Marotius poeta gallicus (Boyvin, 1576)
Same as the previous, but with other attributes (laurel, the classical poet) |
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Clement Marotius poeta gallicus (Boyvin, 1576)
Same as the previous, but flipped. |
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N.N., Clement Marotus Francus Poeta Prim.
Postcard based on the Portrait (oil on canvas) in Museum of the Reformation (Geneva), supposedly once in the possession of Th. de Bèze. |
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Clément Marot (Vrais Pourtraits - 1580/1581)
Portrait next to the short biography dedicated to Marot in Beza's 'Icones' (or portraits). It is supposed to be based on the painting owned by De Bèze. |
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copy of a lost original by Holbein? (1754)
Quite popular, but not certified at all that this is Marot, not even that it is Holbein's. |
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Marot painted as if wax (grisaille)
Abel de Pujol Alexandre-Denis (Louvre, room B egyptian antiquities): Among the notable men of the Renaissance: |
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Portrait of a man, G.Moroni (?)
The man is supposed to be Marot. Moroni (b. 1520) either painted in 1536 (Moroni was still teenager) or 1544. Marot looks to young. |
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buste of Marot (1885)
bronze, Museum of Cahors Henri-Martin, by Jean Turcan (1846 Arles - 1895 Paris). |
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Marot at the fountain in Cahors
Monument erected in the 19th century and restored in 1996: 500th anniversary of Marot. The buste is a copy from the bronze in the museum |
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Marot (médaille, 1577)
In G. Rouillé (or Roville), Promptuaire des Médailles, p. 251. Immensely popular and influential. |
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Marot (Théodore de Bry - late 16th century)
Fantastic imagery (Jupiter-like), prob. based on the medaillon in Roville's book. "POETA CLEMENS MAROTVS CHAORSIVS/ Anté rudis, per te, calamos inflante Thaleia,/ Edidivit dulces Gallica lingua modos,/" |
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1996 (Marot and his King)
painting by an artist from Cahors, contributing to the 500th anniversary, based of course on Corneille de Lyon and Clouet. |
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Clem. Marot (unknown 'artist')
Museum of the Reformation in Geneva. Unknown provenance: the 'gloomy broodiness' (Bentley Cranch) is probably due to mediocre craftmanship. |
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